1975
On sale
4th June 2026
Price: £12.99
Genre
Heavy Metal Music / History / Music / Music: Styles & Genres / Rock & Pop Music
‘Across 21 albums, Jones smartly covers the songs and music as well as the geo-cultural milieu that nurtured and enveloped them. An excellent book’ Irish Times
‘Makes one crave a follow-up undertaking for 1976!’ Record Collector
‘Enormously entertaining . . . Never has pop history been so elegantly told’ London Standard
1975 was the apotheosis of music. Rich with masterpieces, it’s the most important year in the narrative arc of the music of the twentieth-century: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, A Night at the Opera by Queen and the eponymous Fleetwood Mac, to name just a few.
The records of 1975 were magisterial; records that couldn’t be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or a record as unimpeachable and as prescient as Horses?
It was a year filled with an unparalleled sense of ambition, where the album was venerated as much as the modern novel, where everyone was trying to make a masterpiece.
Setting the music against the social, political and artistic context of the time, Dylan Jones brilliantly unravels the cultural fragments that made 1975 the greatest year of them all.
‘Makes one crave a follow-up undertaking for 1976!’ Record Collector
‘Enormously entertaining . . . Never has pop history been so elegantly told’ London Standard
1975 was the apotheosis of music. Rich with masterpieces, it’s the most important year in the narrative arc of the music of the twentieth-century: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, A Night at the Opera by Queen and the eponymous Fleetwood Mac, to name just a few.
The records of 1975 were magisterial; records that couldn’t be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or a record as unimpeachable and as prescient as Horses?
It was a year filled with an unparalleled sense of ambition, where the album was venerated as much as the modern novel, where everyone was trying to make a masterpiece.
Setting the music against the social, political and artistic context of the time, Dylan Jones brilliantly unravels the cultural fragments that made 1975 the greatest year of them all.
Reviews
Across 21 albums, Jones smartly covers the songs and music as well as the geo-cultural milieu that nurtured and enveloped them. An excellent book
Enormously entertaining . . . Jones pulls all these cultural fragments into one gloriously exciting picture in a way only he can. Never has pop history been so elegantly told
[Jones's] makes deliciously bold statements and the breadth and scope of his coverage is impressive, as is his eye for detail. Makes one crave a follow-up undertaking for 1976!
Drugs, lavishness, excess . . . an interesting chain of consequences, and developments in news and culture
Illustrious
Indefatigable polemicist rescues classic rock from year zero barbarians
Marvellous
Fascinating
Whether he's unpicking the importance of 'Born to Run' to Bruce Springsteen's career, explaining how Donna Summer invented the 12″ single, or describing the impact of Bob Marley's appearance at the Lyceum in July 1975, Jones' writing is witty, precise, and engaging . . . Readers will want to revisit many of the records that Jones uses to build his convincing case for 1975 being the apotheosis of adult pop. The book successfully challenges the accepted history of what came before punk's 'day zero' and shines a light on some lost gems
Tremendous